But I do go there. And when I tell them I don’t eat mayonnaise due to health concers they understand and offer an accommodation. The waiter most definitely doesn’t berate me or scuff at me. Nor do they refuse my patronage.

Even most landlines today just relay to a fully digitalized VoIP infrastructure. The new stuff is just way more economical to run, even if the residences still run kilometers of old copper wire, the hubs have changed to microwave antennas or satellite uplinks, as they are much cheaper to maintain.

It tends to be the skewed worldview of people obsessed with easy money schemes who consume too much social media and actually don’t have any exposure to real life business.

Even low fixed price day-menu restaurants in my town offer some basic choice or variation. People have food limitations and preferences.

Yes, and 99.9% of the meals you eat in your life will not be there. Because it is either prohibitively expensive and elitist gourmet BS. Or it is trivially easy to offer some choice when it is not elitist gourmet BS.

There’s an argument that there’s no such thing as an anti war movie. Basically, movies are a recreative art medium. As such, any movie that intends to hold the attention of the audience all the way through, will make aesthetic or narrative concessions that will accidentally glorify war in turn. Some even go as far as claiming that any portrayal of war, even if negative, is promoting war.

It reminds me of Come and See (1985), which is a great horrible movie. But often some of the things being portrayed are so well framed and filmed that it is truly beautiful at times. Even if the subject material is extremely horrifying. And the hook to keep the audience watching wanders into morbidity.

In contrast with 20 days in Mariupol (2023), which I almost didn’t finish. Because it was true documented horror without any sort of grand narrative. A documentary doesn’t have to tell you war is hell. Movies, however, tend to wax poetic about it and end up romanticizing even the worst parts.

“science of music theory is western eurocentric colonialism” is a new low bar.

It is literally the core principle of modern ethnographic musicology. 50 years ago there were people claiming that eastern microtonality was a savage aberration.